Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Thomas Chambers
The Constitution and The Guerriere

ID: 03201

Thomas Chambers The Constitution and The Guerriere
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Thomas Chambers The Constitution and The Guerriere


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Thomas Chambers

1808-1886 Thomas Chambers Galleries   Related Paintings of Thomas Chambers :. | Niagara Falls viewed from Goat Island | Threatening Sky at the Bay of New York | View of Cold Spring and Mount Taurus about 1850 | Staten Island and the Narrows | The Constitution and The Guerriere |
Related Artists:
Marguerite Gerard
Marguerite Gerard (28 January 1761 in Grasse - 18 May 1837 in Paris) was a French painter and etcher. She was the daughter of Marie Gilette and perfumer Claude Gerard. At 8 years-old she became the sister-in-law of Jean-Honore Fragonard, and when she was 14 she became his pupil, and she often worked with him. She was also the aunt of the artist Alexandre-Évariste Fragonard.
Nardo, Mariotto diNM
Italian Painter, active ca.1394-1424
Clarkson Frederick Stanfield
English Painter, 1793-1867 He is often wrongly referred to as William Clarkson Stanfield. The son of Mary Hoad and James Field Stanfield, an Irish actor and author, he was apprenticed to a heraldic coach painter at the age of 12, but in 1808 he abandoned this and went to sea in a collier. In 1812 he was press-ganged and spent two years on HMS Namur, the guard-ship at Sheerness. After being discharged as the result of an injury in 1814, he joined the merchant navy, sailing to China in the Indiaman Warley in 1815. Soon after his return in 1816 he missed his ship and became a scene painter, first at the Royalty Theatre, Stepney, and then at the Royal Coburg, Lambeth. There he was later joined by David Roberts, who became a lifelong friend, and in 1822 both men were employed as scene painters at the Theatre Royal, Drury Lane. During the next 12 years Stanfield established himself as the most talented scene painter of his day, causing a sensation with some of his huge moving dioramas such as the scenes of Venice in the pantomine Harlequin and Little Thumb (1831). Meanwhile he was building an equally impressive reputation as an easel painter. He first exhibited at the Royal Academy in 1820 and continued to exhibit there regularly until his death. He was elected ARA in 1832 and RA in 1835.






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